Kalon Library Lina Bo Bardi 2 Interior View of a Room with Large Glass Doors and Sheer Beige Curtains a Small Wooden Stool in the Left Foreground  by Kalon Studios

Lina Bo Bardi & Studio de Arte Palma

The Kalon Library Vol. 03

From our studio shelves — volumes that trace the ideas, influences, and cultural undercurrents behind our work.

Likely the most consequential architect many have never encountered, Lina Bo Bardi transformed modern design in Brazil through a practice that moved fluidly across architecture, furniture, illustration, and journalism. A pioneer of socially conscious design, she brought a deep respect for vernacular material culture into the heart of modernism. Books focused specifically on her furniture work remain surprisingly few; Lina Bo Bardi & Studio de Arte Palma is a rare look at her furniture design practice.

Before you address the problem of industrial design itself, you must frame it within a social-economic-political context, within the structure of the place, of the country, in this case Brazil. — Lina Bo Bardi

The book traces Bo Bardi’s founding of Studio Palma in 1948 — a collaboration with Giancarlo Palanti rooted in modern architecture and deepened through her engagement with Brazilian popular culture. Concepts drawn from Indigenous and rural traditions informed her design language, yielding works that balanced rigor with an unpretentious, human sensibility.

“For Lina Bo Bardi, the premise behind the conception of the Brazilian Studio Palma, which opened in 1948, was founded on modern architecture… However, its main feature was Lina’s discovery and use of an extremely rich repertoire of Brazilian popular culture, whose concepts she masterfully applied and materialized in the design of her furniture during her first pioneering years in Brazil. Popular art and culture were treated by Lina with the same reverence and respect paid to erudite art and culture.”

“Lina was pioneering the use of everyday materials that had never been used before in furniture design, such as Indigenous hammock mesh, light iron pipe structures from electrical conduits, horseback-riding leather soles, and strings similar to those used in clothing and bags in the countryside and the peripheries of cities.”

We thought of saving humanity with modern architecture and industrial design. It didn’t happen. — Lina Bo Bardi

“When Lina talks about ”morals” or “life’s morality,” she is not referring to religious norms or values but existential values, that is, a human being’s responsibility and commitment to their own time”


We hope you’ll consider supporting local, independent bookstores and publishing houses. You can purchase Lina Bo Bardi & Studio de Arte Palma directly from the publisher This Side Up or from Head Hi in Brooklyn.

If you enjoyed this, consider subscribing to Matter & Meaning — our monthly digest of culture, design, and studio perspectives. [Subscribe →]


Kalonlibrary linabobardicover Close up of a Pale Pink Book Cover with Green Text Reading lina Bo Bardi  Studio De Arte Palma on a Table Surface  by Kalon Studios
Kalonlibrary linabobardi5 Open Book on a Wooden Surface Left Page Shows a Black and white Interior Photograph Right Page Displays the Title an Avant garde Habitat in SÃo Paulo  by Kalon Studios
Kalonlibrary linabobardi4 Open Book on a Wooden Table Left Page Filled with Text Right Page Shows a Black Collage Cover with the Word Habitat and Colorful Blocks  by Kalon Studios
Kalonlibrary linabobardi3 Open Book Showing Black and white Architectural Drawings and Photos on a Light Page Laid on a Wooden Table  by Kalon Studios
Kalonlibrary linabobardi Open Catalog Spread Displaying Images of Sofas and Wooden Chairs with Descriptive Captions Beneath  by Kalon Studios